I thought it would be fun and motivational to keep a blog of my practice and post a video every weekend or so. Hopefully my blogs will be of interest to you and I welcome any comments and discussions about music.
One everybody probably knows from either Chuck Berry's Johnny B. Goode, the Back to the Future soundtrack or Jimi Hendrix. Below is the original version from Berry's record. The intro contains a lot of very recognisable rock/blues guitar licks and techniques, and is quite a tricky piece physically - you've really got to grab the guitar!
... chords down for Stella by Starlight. Vital as all this may be, those parts are really to be played with other musicians backing or improvising over it. The video below is my attempt at a chord melody arranged for the Stella By Starlight tune; it's ideal for playing solo. This is created using variants of the chord voicings with the melody played on the top note of those chords so that you can "accompany" yourself. Nice ambient sound with a little reverb too! :)
This particular arrangement was created by Mike Brookfield.
Lately, I've been listening to more rockabilly... Imelda May and Brian Setzer in particular, are two artists who I've been listening to a lot! Below is the intro and solo from the song Stray Cat Strut, by the Stray Cats whom Brian Setzer came to fame with in the 1980's. Ideally, this should be played hard with a Gretsch guitar - but I haven't got one (yet!). Anyway, the strat doesn't sound too bad on a clean setting with a bit of reverb either :)
Lots of string bending, sliding, double stops and jazzy licks in this one...
Check out the tune by Setzer and the Stray Cats here:
I spent about an hour learning Ride On this afternoon - not a bad way to spend some time on a Sunday. I can't sing, but who cares, it's good to learn something for parties etc. It's only three chords so nothing too heavy going on and it's one most people know so they can sing along too. Ride On was written by Jimmy MacCarthy and made famous by Christy Moore on his album Ride On. This song has a lot of meaning for me personally, so I'm sure to get some mileage out of it in the future :)
A study over the chord progression for Stella by Starlight. This is difficult, so I've divided the study into four 8 bar sections and aim to post a new section each week. This can be a good way to practice as it enables you to focus yourself on specific parts at a time - and getting to know each part very well. This method also disciplines you so you know that as soon as you have learned one part well (perhaps after a week or so) you can move on to the next part. Your progression may also become more noticeable.
It's one thing to learn a piece like this, it's another thing to know it so well that you can play it at about 160 bpm. The notes just won't sound as great unless they are played fast, otherwise it might sound a little mad!
Week 4... The complete piece! :)
(Stella 24 bars, Week 3)
On week three - the wiring inside my Epiphone is broken somewhere at the moment - so had to switch to the strat for time being...
... But it has to be done. There's loads of useful licks in this solo. It's really great for your blues chops and technique. But it's not a run of the mill blues solo either - Ritchie Blackmore has a few different interesting ideas here. I'm playing it at about 90% (not there yet Mr. Blackmore) and I'm using gauge 10 strings, which are probably a bit too heavy for this (my poor fingers! :D )
For a great example of how to play it, check out Mike Brookfield's example - slow and fast.